(Source: insomniaticthoughts)
In the late 1880s, the body of a 16-year-old girl was pulled from the Seine. She was apparently a suicide, as her body showed no marks of violence, but her beauty and her enigmatic smile led a Paris pathologist to order a plaster death mask of her face.
In the romantic atmosphere of fin de siècle Europe the girl’s face became an ideal of feminine beauty. The protagonist of Rainer Maria Rilke’s 1910 novel The Notebooks of Malte Laurids Brigge writes, “The mouleur, whose shop I pass every day, has hung two plaster masks beside his door. [One is] the face of the young drowned woman, which they took a cast of in the morgue, because it was beautiful, because it smiled, because it smiled so deceptively, as if it knew.”
Ironically, in 1958 the anonymous girl’s features were used to model the first-aid mannequin Rescue Annie, on which thousands of students have practiced CPR. Though the girl’s identity remains a mystery, her face, it’s said, has become “the most kissed face of all time.”
Ironic and somehow romantic. One of the odd things that i can’t stop thinking about from the moment i knew it.
In a simple experiment, researchers at the University of Chicago sought to find out whether a rat would release a fellow rat from an unpleasantly restrictive cage if it could. The answer was yes.
The free rat, occasionally hearing distress calls from its compatriot, learned to open the cage and did so with greater efficiency over time. It would release the other animal even if there wasn’t the payoff of a reunion with it. Astonishingly, if given access to a small hoard of chocolate chips, the free rat would usually save at least one treat for the captive — which is a lot to expect of a rat.
The researchers came to the unavoidable conclusion that what they were seeing was empathy — and apparently selfless behavior driven by that mental state.
“A New Model of Empathy: The Rat” by David Brown, Washington Post



